An inactive presence with no recent evidence of operation directs that enquiry to a competitor.
It goes up in the next few days. Everything it covers is written out on this page, so nothing below waits on it.
BOOK MY PRODUCTION DAYRuntime 11:19 · What we shoot, what goes out, and how little of it lands on you.
One production day at your business, then ninety days of content produced, scheduled and posted for you. You attend one production day. We handle everything after that.
BOOK MY PRODUCTION DAYNothing on camera here yet. Here is the part that usually matters more.
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Book My Production DayA single on site production day yielding twenty or more advertising creatives, a video sales letter and a quarter of source material.
Written, edited, scheduled and published against a calendar you approve once. No day to day involvement required.
Not brand awareness. Each piece exists so a buyer in evaluation finds justification to choose you and a direct route to act.
They are checking whether you are real, still trading, and worth a phone call. That is a much lower bar than going viral, and it is the only bar that turns into revenue.
We do. Vervetta owns the footage, the edits and the production files, and licenses their use to you for as long as we work together. You are buying an operation that keeps producing, not a hard drive. That is why a production day here costs a fraction of commissioning the same shoot outright. Your social accounts stay in your name with you as owner, and anything already published stays published.
We arrive with the shot list already built from a call, so nobody stands around deciding what to film.
We shoot the work being done, the team, the premises, the equipment, and short pieces of you talking if you are willing.
One day. You keep working through most of it.
You end up with twenty plus ad creatives, a video sales letter and enough raw material to post for a quarter.
A monthly calendar you approve once. Then it just goes out.
Wherever your buyers actually look, which for most trades is Google, Facebook and Instagram, not everywhere at once.
Every piece has a job. Proof, trust, or a direct route to a quote.
You get a report at month end on what pulled and what did not, and we cut what does not.
We own the footage, the edits and the production files and license them to you for the life of the engagement.
Your social handles stay in your name. We post as manager and own the footage, the edits and the production files.
Anything already published stays published, including if you leave. Your account, your history, your followers.
A comparable owned shoot runs many times this cost. Licensing the output is what makes a production day affordable.
If nobody can find you at all yet, start with local presence. Content shown to nobody is expensive theatre.
If the phone rings and nobody answers it, fix operations first. We will say so.
Content is a multiplier. It works best on top of something that already gets seen.
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